Troy Station:
Asimov sits alone in the darkness
of Troy Station. A window running the
length of his room is all that separates him from the endless vacuum of
space. Stars, near and far, glitter like
diamonds, drifting gracefully as the station spirals. He drinks in the darkness, taking delicate
sips of red wine. A glossy black desk
behind him captures the dim light of the stars, their light appearing in its in
distorted reflections. He turns and
presses a button underneath the desk, and a screen rises from another part of
it.
The holographic screen casts a blue
light. It illuminates his form as he
examines the images projected on its surface.
Pictures and profiles of Arthur, of Chastity, of the Naphtali and the
Dinah and the coverage of the Battle of Canaan are displayed. They are meticulously detailed, showing
restricted military reports, casualty lists on both sides, and all known
information on both the Lady and the Guides are large. His door buzzes, and he sets his cabernet
down and the desk molds, shifting and forming around the base to hold it in
place.
Pressing another button beside the
first, he opens the door on the far wall.
The wall folds open, sliding sideways and casting a faint light from the
exterior hall into the room. Lancelot
enters obscured by hard shadows. The
door closes, and he appears in finer detail in the shadows. He moves slowly, as if uncomfortable with his
body. Most of him has been
reconstructed, steel grafted to flesh, wires latched to nerves. A carapace has been constructed to protect
exposed wires, but he is not wearing it right now.
He stops with military precision at
the other side of Asimov’s desk. Folding
his arms behind his back, he stands straight.
His left eye glows a faint red in the darkness of the room. “Sir, I have been given leave by the medical
staff and am ready for duty.”
“Physically,” says Asimov, glancing
Lancelot over. He sees scar tissue and
steel. He fixes his own faintly glowing
eyes on Lancelot’s. “But how are you
emotionally?”
Lancelot frowns visibly in the
darkness, and Asimov grins.
“Either way, we have time to
rest.” He leans back and sideways,
resting his face on his balled fist in a languid display of comfort. “She didn’t mean to, but she helped us all along,
the Lady.”
Lancelot’s brow knits. “Sir?”
“She set everything into motion,
Lancelot.” Asimov stares at the chess
board on his desk, and pauses to move one physical ivory piece. He takes none of the black holographic pieces
that his opponent plays, but he is beginning to see the game, and he is moving
himself into position to check the king.
Afterwards, he turns in his chair to stare out at the stars. He recognizes them all, and they have been
his companions across multiple lifetimes.
“Soon, very soon, everything will change.”
Part 1
End
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