The Knights of Sheba 107 B…Start
That night, after the sun sets and
the moon rises, Nina moves about her apartment.
She fixes herself tea and settles in to grade the most recent tests she
gave out. She is just through the first
stack when someone knocks at her door.
On instinct, she checks her desk for her pistol before checking the window.
Erak waits outside.
Nina takes a deep breath and gathers
herself. Then, she opens the door. “Major,” she says, and he brushes past her
without speaking.
Stopping in the center of her living
room, he turns in a small circle. Nina’s
room is much like her office—sparsely decorated and painstakingly
organized. A small desk is set against
the left wall from the entrance, with a doorway beside it. On the right is a small kitchen with a tea
kettle warm on the stove.
“Good evening, Lieutenant,” Erak
says, finally turning his gaze. As always, he seems disappointed. “I assume you
have time for a quick chat.”
“Yes, of course,” Nina says, closing
the door behind her. She watches him
pace into her kitchen and sniff around.
He frowns at the kettle.
“Human tea?”
“Yes. It is what they sell in the stores here.”
“Of course it is,” he says. He lifts the lid and smells again, and
grimaces before closing it. “I could get
you proper provisions, you know.” He
turns to her. “We have them stocked at
the compound.”
“I am aware, but I’m fine with what
I have, thank you.”
Erak returns to the living room,
smiling smugly. “Ah, yes, your
assimilation. If I remember correctly,
you think we should become a part of their culture. Dress like them. Think like them.” He stops and stares at her. “War and die like them.”
Nina’s skin prickles. She returns to her desk and sorts the
tests. Stacking what she has graded, she
puts a paper clip on them and sets them in her bag. “With all due respect, sir, I am busy.”
Erak approaches. He fingers the papers, glancing through
them. “We worry about you, you
know. Not a one of us has the service
record you do, and it is so rare that one of your status would be assigned to
such a position.”
Nina pauses, her fingers pressed
tightly against the desk. She takes a
deep breath. “Excuse me, but I do not understand.”
“I’m no fool, Lieutenant. The position you’ve been put into, the
infiltration of humanity, the role of the watchful guardian, the guiding hand,
is empty. This entire patrol is empty,
to be honest, but yours job…No one covets it, and it was open only after Rior
died. And how fortunate for you he did.”
“I am happy with this job, sir. In fact, I see myself as being blessed.”
“Blessed? What strange terminology. Perhaps you have become deluded, if you have
come to believe in a human divinity.”
“I simply meant to say that I am
proud of the work I do here, sir.”
“I see,” Erak says. He glances into her bedroom, earning a glare
from her. Finding nothing of interest,
he returns his attention to her. She is
facing him now, a frown creasing her face.
It makes her look older and, to the right person, dangerous. “Someone with your breeding deserves more,”
he says. “There are some who fear you
may be losing your sense of elven pride, losing sight of our purpose here. Once, Olivier was a name to be respected.”
“It still is.”
“Not for long,” Erak says. “How old are your parents now?”
Nina’s frown deepens. “Again, respectfully, what do you want, sir?”
“The tea and the human girl.” Erak pauses.
“I’ve seen your mission report after Operation Hellfire.”
Nina’s eyes go wide, briefly. “If I remember, the operation was considered
a great success.”
“By some,” Erak says. “But if people
knew.”
“I assure you, my heart is with my
people, as are my intentions. I only aim
to make the worlds better. Anything else
is misrepresentation.”
“I suppose so,” Erak says. “I only came by to express my worry. With everything going on, and with our disagreements,
I don’t want the patrol to be dragged under because of our differing
philosophies.”
“I understand and appreciate your
concern, but we will be fine.”
Erak looks momentarily thoughtful
while staring at her and then nods. He
returns to the door, stopping with his hand on the handle, and looks at
her. “I hope so,” he says.
She salutes him. “Have a good night,
sir.”
He grunts in response and gives a
curt nod. “I’ll have some tea sent over,
proper tea, not this human trash.” He
grimaces at her cup.
“Thank you, sir, but you needn’t…”
“I insist.” He opens the door and stops in the threshold. Outside, the air is cold and full of
life. Humanity moves around them, in
their cars, and their lights polluting the skies. He stares at the blank darkness blinded by
the light of civilization. The stars are
out, but they can’t be seen from there.
“The girl. She’s no soldier.”
“She will learn.”
“For your sake, she had better.”
“What do you mean?”
“Nothing.” Erak shrugs. “I just wonder sometimes if she will end up
being your next great failure.”
With that, he leaves, closing the
door behind him. Nina stands there,
staring, and fighting her nerves. After
a deep breath and an hour of pacing, she tries to return to grading but can’t
focus. So, she gathers her things and
goes for a long bath. The tub is small
and her legs hang out the sides, but the warm water eases her frustrations.
Staring at her ceiling through a
haze of steam, she wonders what future Geneva will yield.
-The
Knights of Sheba-
Claude stays late after his shift. He has had all day to think about his
discussion with Shirley and has come to one conclusion—it was definitely an argument. Beyond that, he is still unsure of how to
handle it. After an hour of hanging
around, however, Eddie assures him that they are fine and sends him on his way. Claude leaves the kitchen feeling defeated.
Shirley is waiting for him in the
room when he gets back. She is sitting
on the bed, legs crossed, watching the TV.
When he enters, she turns it off and stands to meet him. As they make eye contact, she gives him a
small, uncertain smile. “Long shift?”
Claude pauses at the door. He nods.
“Yeah,” he says, brushing past her.
She watches him move about the room, grabbing a towel and a change of
clothes.
“Going for a shower?”
“I normally do after a shift,” he
says, stopping at the bathroom door. “I
get covered in all sorts of things.”
“I understand,” she says. “I wasn’t—I was just hoping we could talk a
bit.”
Claude pauses. He reaches into the bathroom and flips the light
on. Then, he steps inside, bare feet cold
against the tiles, and starts the shower.
Shirley watches from beside the bed.
He peeks his head out. “I’m
sorry, Shirley. I know you want to talk,
but,” he scratches the back of his head, “I’ve had a long day, and I have to
work an early shift tomorrow.”
“Claude, really, I understand, but
we need to talk,” she says, “Please.”
He stares at her for a moment, and
then through her. After some thought, he
shakes his head. “I know this is
important to you, but I really need to get to bed. Maybe tomorrow morning? After my shift.”
Shirley chews her cheek. She
nods. “Sure.” Then, she remains by the bed, watching as he
closes the door.
-The
Knights of Sheba-
Early the next morning, Geneva
boards the bus and is greeted by the very tired looking driver. They nod at
each other in mutual fatigue, and Geneva takes a seat in the back. The bus is empty and still cool inside. Winter is coming in a rush, as it often does,
and to Geneva’s overwhelmed mind it seems like time travel. To her, summer seems both so long ago and
also very recent.
As the bus pulls away from her house,
Geneva stares out the window. The light
this morning has a gray, flat quality to it.
Everything looks two-dimensional as it drifts by, and she loses herself,
momentarily, to the motion, waking only after they reach the next stop.
Another student boards and Geneva
decides to use her time wisely. She
pulls her book bag up and pulls out one of the books Ms. Olivia gave to
her. It, like the journal, is written in
what Geneva can only assume is elven.
The script is flowing but precise and very nice to look at. It was clearly written long ago. The pages feel rough with age.
She thumbs through it, glances at
different pages. There are illustrations,
of dragons and of people. Slouching,
Geneva pins her knees up against the seat in front of her and lays the book out
against her thighs, and she begins reading.
Like the journals, the book seems to
be about the elves, but it is written far more objectively. It describes, initially, the foundation of
elven society and lists the worlds now counted among the Elven Empire.
There are thirteen known worlds,
Geneva learns, four of which are lost.
And all worlds are held by the Yggdrasil, the world tree, each with a
gate tree connecting them to each other.
Each world is also counted among the Council of Races, situated in the
Realm of Light, where the elves originate.
The human world, called the Realm of
Man in the book, is counted among the lost worlds. The book explains that this is because
humanity is considered dangerous, as the demons before them were, and must be
watched. So, they are kept oblivious of
the worlds around them, for fear of the havoc they will wreak.
The other lost worlds are the Realm
of Beasts, where the demons dwell; the Realm of Gods, where the gods came from;
and the Realm of Thrones, the first world colonized by the gods. All three were lost to the war with the
demons, the book says, and on one of the pages it has an illustration of an
enormous eye with fire writhing about its iris.
Next, Geneva learns of the remaining
realms, some of which were found by the elves after the fall of the gods. Those colonized by the council are The Realm
of Water, home to the water elves; the Realm of Light, their seat of power; The
Realm of Tranquility, a world of plains being converted largely into farmland;
The Realm of Wood, home to the wood elves; The Realm of Night, home of the night
elves; and the Realm of Shadows, home of the dark elves.
It is there that Geneva drifts off,
staring at a hand-drawn picture of an enormous tree, holding the heavens in its
branches and all the worlds in its roots. A serpent is coiled about its trunk. Geneva dreams, then, of thirteen worlds and a
great fire that sweeps over them, and she fears that she will never be able to
stop it.
When they arrive at school, the bus
driver wakes her. The bus is empty, and
Geneva has to rush reach class on time.
-The
Knights of Sheba-
After school, Geneva goes to
training and asks Ms. Olivia for the weekend off. She is given a quick, firm, “No,” before they
continue their work. This time, Geneva
manages to conjure her armor without the aid of a bullet, and she counts that
as the closest thing to a victory she will get.
When she talks to Kit again, Geneva
makes plans to meet her Saturday evening, accounting for her time training, and
uses study as an excuse. After that, she
waits for the slow drag toward the week end and, on Saturday evening, after
training, is at home long enough to shower and tell her parents where she will
be.
Her father, tired from a long week
of work, gives a nod and a smile and tells her to have fun. Her mother, however, has questions.
“Will you need money for food,” is
the first.
“No,” Geneva says, “But maybe some
for a ticket?”
“Right.” Her mother goes to her wallet. She opens it and hesitates before digging
through it.
Geneva watches her for a moment and
then says, “Actually, I think I have some from last time.”
“Oh?
Then just use that, sweetie,” her mother says. She closes her wallet and tucks it away
inside of her purse. “You’re sure about
the food, though? We can scrounge some
snacks for you to take.”
“We’ll be fine,” Geneva says. “Thanks, though.”
“You’re welcome. When will you two be back?”
Geneva shrugs.
Her mother frowns. “Geneva Evelyn Oaks.”
“I’m not sure. Really.
I don’t even know what movie we’re seeing, but I won’t be out past
curfew,” Geneva says. “I have a curfew,
right?”
“Of course, you do,” her mother says
ambiguously. “Make sure you’re back in
time.”
“Right.”
“And don’t watch anything too
graphic.”
“They sort of check IDs now, mom.”
“Right,” her mother says. Kit knocks at the door, and her mother says,
“Is that her? Invite her in for a bit.
You two aren’t in a hurry, are you?”
“Kind of,” Geneva says, rushing out
of the room. “Want good seats and
all.” She and Kit nearly bump into each
other. Kit is already in the hallway,
smiling. They stand together, Geneva
staring up at her, remembering how tall she is.
“Well, hello there.” Kit moves closer, putting her hands on
Geneva’s hips, but she has them quickly removed.
“My mom might be watching,” she
says, pushing Kit out the door.
“If she is, then she knows,” Kit
says, looking back. “I mean, hand on the
hip isn’t exactly girl friend stuff.
It’s girlfriend stuff.”
Geneva sighs as they approach Kit’s
car together. She waits at the passenger
door and stares back at the house.
“Sadly, I think I understood that sentence.”
“Of course, you did,” Kit says, trailing
shortly after. She unlocks the door
electronically but rushes to open it for Geneva. Bowing, “My lady.”
“My, aren’t you the gentleman?”
“Gentle woman. I’m a woman, Genny. Boobs, remember?”
“So that’s what those big old things
are.”
“Yup, been there since the fifth
grade.”
“Lucky you.” Geneva tugs on her shirt. “Mine are still coming in.”
“Yours are fine,” Kit says, and
Geneva blushes. “I’m just saying, I’m a
fan is all.”
“I know what you’re saying,” Geneva
says while taking her seat. She pulls
her seatbelt on, suddenly self-conscious of the way it fits between her
breasts. “Now, get in the car, pervert.”
“Yes, ma’am!”
The theatre they visit is in a nicer
part of town than Geneva is used to. It
is large and packed with cars at approach.
Kit finds a place near the front and they walk together, side-by-side,
talking on the way in. Kit pays for both
tickets and dismisses Geneva’s gratitude with the wave of her hand.
“You’re my girlfriend,” Kit says
while leading them in. “I get to spoil
you.”
“Still, thanks,” Geneva says, “My
mom was struggling for the money, and I—I don’t want you to think I am taking
advantage.”
Kit stops and turns. She takes Geneva’s hands and stares her in
the eyes. “Genny, listen and listen
well, because I shouldn’t have to keep saying this. I want to do this for you. No one is taking advantage of anyone. This is my treat. Really.”
Geneva smiles and blushes. “Come on,” she says. “Let’s get to the movie.”
“Nope,” Kit says, turning
again and this time marching toward the concession line. “Not without snacks.” Geneva follows,
grimacing at the prices. “And I’m not
taking no,” Kit says over her shoulder.
“We’re at least sharing popcorn.”
“But it’s so expensive.”
“Nonsense. This is the best part of the movies.”
They end up getting a small popcorn,
to share, and two small drinks. Then,
they go to the movie and find seats in the middle aisle. The previews start and more people fill the
auditorium. There are less people than
Geneva expected.
Before arrival, they couldn’t settle
on a movie. Geneva wanted to see an
off-beat comedy. Kit wanted to see
action. Eventually, they settled on
romantic comedy and left it at that.
Before the movie starts, Geneva finds herself surprised by how spacious
her seat is and how much legroom the rows offer.
She holds the popcorn and snacks on
it a bit to ease her anxieties. The
movie starts. Credits roll, and an
attractive man with nice eyes and dimples fumbles his way through life until he
runs into a petite, attractive woman with dark hair and bright eyes.
Geneva isn’t sure of the details
beyond that. She can’t focus on the
movie. Everything about it, the theatre,
the popcorn, the girlfriend, leaves her feeling out of place. It is like she is living someone else’s life,
and they have set out into new, uncharted territories. There is exhilaration and excitement and a
lot of uncertainty.
Somehow, she feels like the knights
are a better fit for her than Kit.
When Kit laughs, Geneva glances at
her, and she marvels at her girlfriend’s beauty. Kit is tall, shapely in places and thin in
others. Her face is well-shaped, her
nose petite but attractive. Her forehead
is perfect, Geneva thinks, and she envies her for it.
Catching her staring, Kit smiles and
takes Geneva’s hand. They lace fingers
and stay this way for a few minutes.
Geneva now stares at their joined hands.
She wants to bury her face in the popcorn.
Kit leans over and whispers. “Something wrong?”
Geneva looks up, pretends to be
staring at the screen. She hesitates
before answering. “No. Nothing.”
“You want me to let go?”
“No,” Geneva says. She smiles faintly and squeezes Kit’s
hand. “No.”
-The
Knights of Sheba-
After the movie, Geneva and Kit walk
out of the theatre together, holding hands and smiling. If asked, Geneva can’t remember even half of
what happened. She just remembers how
warm Kit’s hand feels, and how soft her skin is, and how long her fingers are.
She is also aware of how sweaty
their palms are after being pressed together for so long, and how that doesn’t
bother her in the least.
It is still light out, but the sun
is setting. The sky is overcast, a
thick, gray curtain, and snow falls and gathers on the sidewalks. They watch it together for a moment, standing
close for warmth, before getting into Kit’s car.
The ride home is quiet but
contented. Geneva is smiling so much her
face hurts. The jitters remain, but the
fact that she has a girlfriend—a real girlfriend—is finally starting to set in. Her palms remain sweaty the entire way home.
“So, what did you think,” Kit asks
after some time. She is staring ahead,
focused on the road, and Geneva thinks she is smiling but doesn’t feel
confident enough to look.
“I think,” Geneva pauses for a
moment to consider it. She doesn’t know
what to say, if she should be positive or negative, so she settles on
honesty. “I thought it was awful. One cliché after another.”
“Really? I didn’t think it was so
bad.”
“It was,” Geneva says firmly,
holding her ground in an argument where she has no ground. She feels her hand and stares at her lap and
tries to sound confident. “Clearly, you
saw a different movie.”
“Listen to little miss critic here,”
Kit says as they pull up to the house.
“Then again, you do have pretty good taste.” She winks.
Now blushing, Geneva looks out the
window. “So, guess I should be getting
inside, huh?”
“Want me to walk you to the door?”
“No,” Geneva says, watching the snow
dancing in the headlights. It makes her
think of stars flying by spaceships in science fiction movies. She looks at Kit again. The warmth in her cheeks lingers. “But.”
“But?”
“Well, we went on a date.”
“Yeah?”
Geneva fidgets and keeps
smiling. She’s becoming worried over her
own condition. “Well, aren’t dates
supposed to end with a kiss?”
Kit grins. “Only if the date went well.”
Geneva gives a self-conscious glance
at her knees. “Want to kiss?”
Laughter. “You’re so well mannered.”
“Don’t tease me, darn it! I’m new to this stuff, and I—Mph!”
She is silenced by
a kiss. They stay like this, lips
locked, eyes closed, for what feels like an eternity, though by this point
Geneva is fairly certain her internal clock is stuck on romance-time, which
seems to simultaneously accelerated and stationary.
They break, smiling and staring, and
Kit says, “And that’s good night, I guess.”
“Yeah,” Geneva says, staring at Kit’s
lips. They look wetter and plumper than
she remembers. She can taste
strawberries. “Good night,” Geneva says,
and she leans forward and makes contact.
She braces against the dashboard for support.
Kit hugs Geneva about the waist,
holding her by the hips. Their kiss
grows deeper, their tongues touching.
They part briefly for breath and then meet again, like the churning
ocean against the shore. Geneva can
taste Kit’s soft drink and stale popcorn and is surprised to find how
inoffensive it is.
She clutches Kit’s head, pulls her
deeper, her body moving of its own accord in violent want. They move together, Geneva falling back and
pulling Kit with her. Their bodies press
together, their chests touching, their heat merging, when a ringing tone breaks
the spell.
They part unwillingly, both
breathless and foggy-headed. Kit settles
her in set and pulls up her cell. She
stares at it. “Sorry, my parents.”
“No, no, it’s cool,” Geneva says,
fiddling with her shirt and wiping her mouth.
Somehow, her skin feels almost itchy, and her clothes and hair are
askew. She adjusts herself and pulls her
shirt down. At some point, Kit had it
lifted. “I should…” She points to the house.
Kit nods and lifts the phone. “Hey, mom.
Yes, the movie just ended, and I should be home soon.” Before Geneva gets out, Kit takes her by the
hand and pulls her back, kissing her on the cheek. She smiles as Geneva stares, and she gives a
quick wink before returning to the conversation.
Geneva crosses the yard to her front
door and looks back. Kit waves before
pulling out, and Geneva watches her car disappear down the street. Snowflakes spiral down in a dizzying dance,
and Geneva shivers and waits.
She needs the cold air to calm her
down before she can face her parents.
-The
Knights of Sheba-
After his morning shift, Claude
stays late to avoid the fight he knows is waiting for him. He does whatever he can to keep himself busy,
scrubbing floor, polishing shelves, and signing out only after Eddie and Marisa
force him from the kitchen.
Then, he makes the short walk back
to his room. On the way, he imagines how
the conversation will play out. In his
head she is understanding, even apologetic.
Briefly, she offers to move back home, then he decides he would prefer
if she stayed with him at the hotel, and then he isn’t sure that is better,
either.
When he opens the door, he finds her
waiting with packed bags, and his heart sinks.
“Shirley? You going somewhere?”
“Yes.” She stands from the bed and
grabs her bags. “I’m moving, Claude. I
decided on one of those apartments on my own, and they said I could move in
immediately. And I think you should come
with me.”
Claude holds the doorknob tight,
leans into it for support. He rubs the
back of his neck. “Shirley, you can’t
just come here and make all of these decisions for me.”
“I’m not,” she says, “I’m making you
an offer. I’m moving, with or without
you.”
“What?”
“I’m tired of waiting. Tired of excuses. So, here’s your chance. Either you can come
with me or you can stay here and keep living off of your boss’ charity. Your choice.”
“It’s—It’s not that simple.”
“It is from where I’m standing.”
“I have responsibilities, Shirley.”
“So?
Everyone has responsibilities, Claude.
Do you even realize how lucky you are?
How special you are? So, you have
responsibilities. Fine. But the world doesn’t owe you anything, and
you aren’t doing anyone any favors by taking advantage of them.”
“I’m not taking advantage! I’m doing
what I have to do to survive!”
Tears come to Shirley’s eyes, and
she breathes through them. Adjusting her
bag on her shoulders, she says, “And so am I.”
“By giving me an ultimatum?”
“There’s no ultimatum, Claude. You’ve made your decision, and I’m sticking
to mine.” She looks him in the
eyes. “See you around.” Then, she is gone.
Claude stands in the doorway as she
passes him. He thinks to grab her, to
beg her to stay, but the words won’t come.
So, he just holds the door tightly in his hand and stares at the far
wall, and focuses on breathing.
He stays this way, tense, coiled,
and indecisive for minutes after she is gone.
Then, slowly, he closes the door and stands in the darkness of his
room. Without Shirley there it seems
much darker. He screams and kicks over
his nearby table, knocking his clothes and arrows to the floor and falls beside
them, holding his foot.
-The
Knights of Sheba-
Geneva’s first thought when stepping
into her house, is how much warmer it is inside than outside. Next, she makes sure to close the door
quickly enough so as to let her parents know she is home but to also give her a
head start up the stairs before they can question her.
Failing, she manages to escape by
using school as an excuse. She makes it
to her room and changes before Beatrice peeks in wearing a knowing smile. Geneva gives a cold stare in return.
“Yes?”
Beatrice leans against the door
frame. “How was the date?”
Geneva shushes her and peeks out
into the empty hall. “Mom and dad don’t
know.”
“They know more than you might
think.”
“What?”
“You two aren’t exactly subtle.”
Geneva climbs onto her bed and hugs
a pillow to her chest. “Bea!”
“Relax, I’m kidding. Kind of.
I mean, you two are affectionate, but not so much that you wouldn’t know
without knowing. And I know, because I
know, you know? Anyway, mom is just
happy to see that you have a friend.”
Beatrice enters the room and picks up one of Geneva’s game cases from
her desk. She turns it over in her hands
while pretending to look at it. “A
girlfriend. You two are cute
together. Does she like games?”
“I don’t know,” Geneva says. “And it was fine.”
“What?” Beatrice sets the game aside.
“The date. It was fine.”
“Fine? Did things get hot and heavy? Did you lose
it? Did you lose your V?”
“I need to study.”
“Need privacy after a date,
hmm?” Beatrice lingers in the doorway.
“Leave my room now or get a teddy
bear to the face.”
“You know, only little girls keep
teddy bears.”
“They’re ammunition.”
Beatrice blows a raspberry. “Does your girlfriend know that she’s dating
a little girl?” She barely has time to
duck out of the room before a teddy bear comes flying out into the hall.
The Knights of
Sheba 107…End
No comments:
Post a Comment