Friday, August 27, 2021

The Unnamed Saga: The Four Thrones Ch. 1: "The Empty Throne"

Chapter One: The Empty Throne

 

Open to a scene of the Black Castle at twilight, its form flat and dark. Behind it, twilight shows, the sun fading with starlight peeking in around the edges of the frame. In the fore is a long, flat wall that obscures the courtyard, illuminated from behind by lantern light. The sea can be heard in the background.

Show the courtyard. Decorations are set, lanterns laced and hung across the courtyard, tied to lantern posts. Noble lords and ladies walk the courtyard, toward the castle, dressed in fine robes and furs. Curtains are drawn across the windows.

Show the castle interior, a long room with a high ceiling. Pillars are evenly spaced, five thrones are set at the top. Large windows look out on the courtyard. Nobles mingle here. A chandelier glitters at the top of the screen. Tables are spaced along the room and piled high with food.

Show noble lords and ladies speaking, all well-dressed.

Show Katos’s son and wife together at the party.

Show attendants zipping around the partygoers, carrying platters of food. 

Show the five thrones of Fiona, the King’s throne at the center, with two thrones on each side. Four of the thrones are occupied, the King sitting at the center, leaning lazily on one fist. The thrones to his right are filled, with Kratos nearest, back straight, smiling broadly, and Metis beside him, long limbs stretched, legs folded, holding his staff in hand. To the king’s left, the nearest throne holds Eros, who is relaxed in his seat, both hands to the side, his legs folded casually. The farthest left throne is empty.

 

The King stands and taps his wine glass.

The King: “Attention, everyone. Attention, please.”

 

Show the party stop, all eyes having faced toward the king. Conversation dies.

 

The King: “Firstly, I would like to welcome you all to my home. As you know, today is a very special day in the long history of Fiona, and it has been very long in the making. We’ve faced trials and faced loss, and all of it has led us here, to this moment and to this night, and all of it will be made meaningfully by night’s end, I assure you

“There have been sacrifices made—and many, at that—to build Fiona into what it is today: the strongest nation in the world. These sacrifices have been required, of both our neighbors and ourselves, but the achievements of those great kings that came before us cannot be ignored. No, today we do not refuse our past but celebrate, instead, what it is to come.

“Tonight, we welcome into our halls a familiar guest: the eldest princess of Silvara, young Zara Estein. Tonight, she will not only be a guest, for she will be making this place her home very soon. Tonight, in fact, I will be announcing a marriage long in the making, a marriage that—I am convinced—will lead to the everlasting peace and prosperity of both our people. By night’s end, the princess will be engaged to one of my four sons, whom I am sure you are all quite familiar with.”

The King flourishes to the right.

The King: “To my immediate right, my eldest and bravest son, Prince Kratos.”

Show Kratos on his throne, his bearing regal. He smiles stiffly behind his beard.

The King: “Beside him, my next oldest and the wisest of my children, Prince Metis.”

Show Metis at his throne, at ease, legs crossed, his vest fitting tight to his thin frame, his clothes elaborate. He has a staff at rest between his legs, his hands folded at its crown.

Metis waves.

The King flourishes to the left.

The King: “To my immediate left, my second youngest and most charming of my children, Prince Eros.”

Show Eros on his throne, his outfit handsome, his hair curly. He winks.

 

Show women in the crowd giggling, flushed, fanning themselves.

 

The King: “And lastly, farthest left, is the youngest of my children, Prince Zelos!”

Show Zelos’ empty throne. Murmurs move through the crowd.

Show the King’s shock.

The King adopts a calm smile.

The King: “...Who is busy at the moment but will be joining us shortly. For now, enjoy yourselves, because the night’s celebrations have only just begun!”

The King abdicates his position and seeks the Head Steward.

 

Show the Head Steward—a hunched, elderly man with thinning hair and round glasses—standing beside a pillar with the folds of a curtain nearly encircling him.

The King pulls the Head Steward to the side, his rage showing in the scowl upon his face.

The King: “Where is he? Where has that Zelos gotten to now?”

 

The Head Steward: “If I am to be honest, my king, I am uncertain.”

 

The King: “And how is it that you are uncertain? I sent you to collect him nearly an hour ago.”

 

The Head Steward: “With all due respect, my king, you know how Zelos is. I found his room empty and assumed he had went for a brief walk. As the gala drew closer and closer, I came to realize that he was not returning and took it upon myself to seek him out.”

 

The King: “And?”

 

The Head Steward: “And, as you can see, I have yet to find him. At this point, I highly doubt that the prince is even within the castle walls.”

 

The King scoffs and looks off-screen. His beard is bristled.

The King: “Always like him.”

 

The Head Steward: “What shall we do, my king?”

 

The King: “We shall do nothing.”

 

The Head Steward looks shocked.

The Steward: “Excuse me, my lord?”

 

Show the King rub his beard.

The King: “Zelos will find his way back. He always does. For now, we need to act as if nothing is amiss. If asked, pretend as if Zelos is preoccupied but on his way. I trust him to return in due time. He knows how important the gala is, and it wouldn’t be in his nature to abandon us in our need.”

 

Show the Head Steward frowning uneasily.

The Steward: “Yes, my king. I am certain that you are correct.”

 

The King: “Undoubtedly. In fact, he is most likely returning to the castle as we speak.”

 

-The Four Thrones-

 

Cut to Zelos (tall and slender, with unruly hair) and Glenn (stout and muscular with a precise beard and a sword sheathed at his belt) standing on a fractured pillar, a forest in the background.

Show a large stone pillar jutting in the foreground, cracks showing, moss growing around it. Odd markings are etched into its form. There is a light layer of snow here. The sun is setting, being partially obscured by a broken dome in the distance.

Show Zelos marching forward with Glenn trailing. Zelos is smiling, Glenn is not.

 

Show Glenn look toward the sky.

Glenn: “We should head back.”

 

Zelos: “We’ll return home in due time.”

 

Glenn: “We’re late.”

 

Zelos: “I’m sure they haven’t noticed. My father has three other sons to occupy him.”

Show Zelos smiling back at Glenn over his shoulder.

Zelos: “Besides, Eros is the charmer, isn’t he? He can have the princess, which makes my presence redundant.”

 

Glenn: “You should at least make an appearance.”

 

Zelos: “And I will make an appearance. Later. After a nap, maybe.”

 

Glenn: “Zelos.”

 

Zelos: “Don’t stress the details. We’ll be back when we’re back. For now, forget the castle, the parties, and all this talk of marriage and focus on what is really important!”

 

Glenn: “And what’s that?”

 

Zelos points forward.

Show a small stone bridge, partially covered in ice and water, and leading to a distant doorway sunken into the mud, surrounded by frost.

Zelos: “Charting the course!”

 

-The Four Thrones-

 

Cut to black. The sound of a door being rammed can be heard. Zelos grunts.

The door gives, giving a small shaft of light into a darkened room, exposing silhouette steps.

Zelos tumbles down the steps, stirring dust where he lands.

Zelos lands at the bottom of the steps, a cloud of dust rising around him.

Zelos sits straight and coughs.

 

Glenn, off-screen: “You okay?”

 

Zelos stands.

Zelos: “I am perfectly fine, thank you.”

Zelos dusts himself off.

Zelos: “Just had a bit of a scare is all.”

 

Glenn: “I told you to be careful.”

Beat.

Glenn: “Where are you?”

 

Zelos: I’m at the bottom of the starts. It’s as dark as night in here. Darker, even. I can’t see a thing.”

There is a gleam off-screen. Zelos peers into the shadows.

Zelos: “Actually, maybe I can. I’m going on ahead.”

 

Glenn: “No, you are staying put.”

 

Zelos: “Oh, Glenn, we both know that is not happening. I’ll see you when you get down here.”

Zelos steps into the darkness.

Show Zelos from the front, golden spheres of light appearing in the tunnel around him.

Show Zelos’ view from the back, a series of spheres lighting the way deeper into the tunnel.

Zelos stops to look at the spheres.

Show more spheres swelling into life deeper in.

Zelos: “...A bread crumb trail.”

Show Zelos from the front, looking back over his shoulder, his frame lit in gold.

Show Zelos walking from the front, deeper into the tunnel.

Show Zelos from the back. Hold this image as his gradually disappears into the darkness, the spheres shrinking alongside him.

 

-The Four Thrones-

 

Cut to Glenn descending the stairs.

Glenn stops at the base, hands on his hips.

Show the tunnel ahead, completely dark with the spheres missing. A rectangle of light is cut into the shadows, Glenn’s shadow at its center.

Show Glenn from the side, looking up the stairs.

Glenn looks forward. He sighs.

Glenn: “Damn it, Zelos.”

Glenn balls his fists. His jaw goes tight.

Glenn: “Sometimes...”

 

-The Four Thrones-

 

Show Zelos alone in a wide, domed corridor.

Show Zelos from above, entering an enormous, circular room. Spheres of light line the walls, illuminating the area in lush golden light. Water lines the wall, glittering, clean. Enormous piles of gold sit at the rooms center, spilling out into the water, gleaming.

Show Zelos looking up from the side.

Show the domed ceiling that was seen from outside, but now from inside, looking up at it.  The windows are broken, but light does not seep in. Stars can be seen through the haze of golden light.

Show the interior from Zelos’ view. The walls are embroidered with images of birds and flames. A sun is painted against the far wall and cut into the floor. Jewels hang from the ceiling, catching the light.

Zelos takes a single step into the room, marveled.

Zelos: “How has no one already found this?”

Zelos traces his hand along a statue of a bird. In the background, Glenn shouts his name.

Zelos looks back, his hand lingering.

Zelos looks forward, a glint of light catching his eye.

Show the mural of the sun, a jewel wedged into its center, gleaming red and gold.

Show Zelos side-profile, staring up at the jewel, hypnotized.

Hold this profile as the light surrounding him begins to fade. The light narrows to a point around him. One by one, the spheres of light go out. The light tightens along his body, leaving a faint glow as it disperses.

Show Zelos’ face, profile, as the light narrows along his face. The light narrows into his eye. Finally, the light is a pinprick going directly into his right eye.

Zelos’ eye turns gold while the screen goes white.

The light fades, giving way to darkness. Zelos’ eye glows in the darkness.

Show Zelos from the front, his eye aflame with golden light. Glenn is behind him in the entry way.

 

Glenn: “Zelos!”

 

Zelos turns to face Glenn.

Show a brief image of Zelos surrounded in darkness, his eye glowing.

 

-The Four Thrones-

 

Cut to a carriage at the entrance to the Black Castle. The carriage is elaborately decorated, scrawling runes edged in silver across its surface. The image of a crescent moon is cut into the door. There is a statuette of a fox at its front.

Elsea steps out of the carriage door wearing a layered fur travel cloak with a plain dress underneath. A ribbon is tied about her waist. Her blond hair is done up into wide ringlets. She is a slender woman, tall, with a petite nose and full lips.

Elsea holds the door.

 

Zara exits the carriage wearing a similarly heavy travel cloak with an elaborate gown underneath. She wears gloves, and her aubun hair is piled in loops atop her head. Her body sparkles with jewelry and her figure shows through her grown, her stomach slightly protruding. She walks lightly in heels.

 

Elsea closes the door behind Zara.

Elsea lifts Zara’s gown train and trails after her.

 

Zara: “Hurry. We are late as it is.”

 

Elsea: “Yes, m’lady, my apologies.”

Show their journey across the winding paths through the courtyard, weaving through the statues and bushes.

They are met at the entryway by a steward.

The steward bows.

 

-The Four Thrones-

 

Cut to the ballroom from above. The party is still going. Music plays in the background but the sunlight has faded entirely. Candles are lit, and the nobility is noticeably drunk.

Show nobles from the ground, dancing and talking.

Show Eros leaned against a wall, speaking to a group of girls he has seemingly trapped. They are blushing and giggling.

Show Kratos dancing with his wife, his son at his heels.

Show Metis watching from his throne, leaning on his staff, wearing a thin smile.

Show the King in the corner, smiling and laughing with a few nobles he is speaking with.

 

The Head Steward approaches the King. The guests leave them.

The Head Steward: “My lord, I have word of Zelos’ return. Glenn was sighted at the prince’s door only moments ago. He gave word that the prince would be down shortly.”

The Head Steward smiles.

The Head Steward: “There is nothing to worry about.”

 

Show the King’s smile.

The King: “Worry? When was I worried? I told you that he would return, did I not?”

 

The Head Steward: “Of course, my lord. Still, I must admit he gave me a fright.”

 

The King laughs.

The King: “Well, then, return the favor to him and give him a fright that gets him down here. The princess will have arrived soon and will be needing her introduction...”

Fanfare plays, announcing the princess’ arrival.

The King: “Right now! Hurry, fetch the boy!”

 

The Head Steward bows.

The Steward: “Of course, my lord!”

 

-The Four Thrones-

 

Cut to the ballroom entrance where a second, younger steward stands.

Steward2: “Now introducing the first princess of Silvara, Princess Zara Yvonne Estein!”

Polite applause fills the room.

Party goers look toward the entryway.

Show Zara from the front, entering the castle with a perfect, practice smile. Elsea is at her heels, holding her dress, her head appearing just over Zara’s hair.

Zara waves as she descends the stairs, approaching the screen.

A nobleman from the crowd kisses her hand.

Another repeats this gesture while she greets a woman to the other side. A drunken noble nearby praises her beauty.

Zara smiles and fans herself.

The crowd parts, flanking the King.

The King takes a knee and kisses Zara’s hand.

 

Zara: “Oh my, Lord Ferenn, it hardly seems necessary for one of your rank to kneel before me.”

 

The King stands, smiling.

The King: “My rank is exactly what makes it all the more necessary, princess. There is nothing worse in this world than a monarch with poor manners.”

 

Zara laughs politely behind her gloved hand.

 

The King hooks her arm and walks with her.

The King: “Now, then, on to more important matters. I must say, you look stunning. It has been too long since we’ve seen each other, and you seem to have grown even more beautiful with the passing years.”

 

Zara: “And yet you are timeless, my lord. The same strong-jawed, sharp-eyed man I remember from my youth.”

 

The King laughs.

The King: “Hardly, but your flattery is appreciated. Why, if I were younger, I would look upon you to be my bride, perhaps.”

 

Zara: “And you say I flatter.”

 

Another laugh from The King.

The King: “You see right through me, my dear. Now, enough bothering from this old man. I have strapping children who are both more appropriate and also quite ready to spend the night flattering you.”

 

Zara looks out at the crowd.

Show a drunken noble wink at her while tipping his glass, spilling alcohol in the process.

Zara: “I fear there are many men who would care to flatter me tonight.”

 

The King laughs again, patting her hand.

The King: “Take it all in stride, princess. Your beauty will grant you many concessions in life, but all great gifts come with a price.”

 

Zara: “Oh, please don’t misunderstand me. I am not meaning to make complaint of any blessings the gods have granted me.”

 

The King: “Of course not, and now, you’ve spent enough time on me. Don’t let me monopolize you.”

 

They part, and Zara curtsies for The King.

The King bows in return.

Zara makes her way to the concession table with Elsea on her tail.

At the table, Zara glances back at Elsea.

Zara: “Elsea, you have a single task tonight. If you see that insufferable fool Zelos, you keep him away. I have little interest in this marriage nonsense, and I have none at all in that boy.”

 

Elsea: “Of course, m’lady.”

Zara starts picking at food from the table.

Show her mouth full, cheeks bulging, as Eros approaches from behind.

 

Eros: “Lady Estein?”

 

Zara turns with a mouthful of food.

Zara goes wide-eyed and chokes.

Zara swallows, curtsies, and coughs in quick succession.

Zara: “Lord Eros, I was just on my way to see you.”

 

Eros looks passed Zara at the concession table.

Eros: “I can see that.”

Zara blushes.

Eros: “But now you see me, I presume.”

 

Zara: “Quite.”

 

Eros: “Then allow me to ask: how was your journey, my lady?”

 

Zara: “It was long, but this gala is well worth the trouble. It is simply marvelous.”

 

Eros looks about the party.

Eros fixes his eyes on her.

Eros: “And it is all held in your honor, princess. My family thinks very highly of your nation.”

 

Zara: “Well, my nation thinks highly of your family.”

 

Eros laughs.

Eros: “That is quite kind of your nation.”

 

Zara smiles and laughs politely.

 

Eros: “I am sorry, princess, but I must ask—and tell me if I am being too forward—but have you any idea as to whom you would like to be married? As I am sure you are aware, there are three princes still available.”

 

Zara: “…Yes, I had heard, but I fear that decision is not mine to make.”

 

Eros: “Now, now, my father would not be so cruel as to refuse your wishes. Why, if you were to show favor for one son, I am certain that he would be understanding. He is a very kind man, as I am sure you know.”

 

Zara: “Yes. He is quite kind, your father.”

 

Eros slides forward, to where their bodies are close. He stares her in the eyes.

Eros: “I can be quite kind myself, my lady.”

 

Zara looks away. She is flushed.

Zara: “I...am certain you can be.”

 

Eros: “My, princess, I must say, I find the color in your cheeks most fetching.”

 

Zara: “You what?”

 

Eros touches her cheek lightly.

Eros: “Your cheeks, princess. I enjoy the color in them.”

 

Zara: “I...”

 

Metis, offscreen: “Princess Estein, if I could bother you for a moment.”

 

Zara: “O-Of course! I fear I am being called.”

 

Eros steps away and casts a hateful glance offscreen.

Eros: “I fear so as well. Perhaps we can continue this later.”

 

Zara: “Perhaps. Elsea, with me, please.”

Zara and Elsea quickly escape into a sea of people.

Zara: “That man makes my skin crawl. Maybe Zelos would be the best of them after all.”

 

Elsea: “You are forgetting Lord Metis, m’lady.”

 

Zara: “I am, but I find him so easy to forget. I do it so very often.”

 

Elsea: “He has always shown you great kindness and favor, m’lady.”

 

Zara rolls her eyes.

Zara: “That man shows any woman who looks upon him great kindness and favor.”

 

Elsea: “M’lady...”

 

Zara sighs.

Zara: “I know, I know, and your opinion is noted. Now then...”

Zara puts on a large, bright smile.

Zara curtsies before approaching Prince Metis.

Zara: “Prince Metis, I thought that was you calling for me.”

 

Metis smiles and kneels to kiss Zara’s hand.

Metis: “So it was. I saw my brother, and your uneasiness, and thought to free you of his...affections.”

 

Zara: “Ah, I am quite embarrassed about that. I hope you didn’t find my behavior unbecoming. Your brother is quite charming. I am simply unused to such open affection.”

 

Metis: “Princess, you needn’t be coy with me. My brother is aggressive in his pursuit of women, and he is doubly aggressive with you because of your strong will. He is not accustomed to rejection, you know, and is upset that he hasn’t been able to bed you in all these years.”

 

Zara blushes and shifts her weight.

She glances at Elsea.

 

Metis: “Though, as it stands, he may yet still bed you. Depending on father’s decision, of course.”

 

Zara: “Metis! I…I do not appreciate this subject, prince.”

 

Metis: “I do apologize, princess, and I hope that I haven’t spoiled the gala for you. After all, it is being held in your honor, is it not?”

 

Zara: “The gala is for our nations, lord.”

 

Metis polishes his staff with his hand dismissively.

Metis: “Quite. I would ask if you are enjoying yourself, but I fear you’ve hardly had the time to breathe in all this commotion.”

 

Zara’s expression softens.

Zara: “Oh, it hasn’t been so bad. Honestly, I am grateful for whatever attention I get.”

 

Metis: “Yes, I am certain you are. I saw you greet father upon your arrival. He is quite taken with you, you know.”

 

Zara: “Oh, you flatter me as he does. Your father is a great man, and I would consider myself lucky to have his interest.”

 

Metis: “I believe he feels the same way about you. In fact, I am certain that if he could just get you alone in his room, then he would just die.”

 

Show a dark purple glow in Zara’s eyes.

Zara smiles.

Zara: “I see. Well, it has been a pleasure, Metis, but I fear I must go.”

 

Metis: “I understand completely, lady, and I won’t bother you any longer.”

 

Zara curtsies.

Zara saunters off.

Show Metis bow his head lightly, Elsea staring at him in confusion from the side.

 

Elsea reaches out for Zara.

Elsea: “M’lady…”

 

Zara turns, pulling herself from Elsea’s grasp.

Zara: “If you could, wait by the concession table. I will be along shortly.”

 

Elsea: “…Yes, m’lady.”

Show Elsea from the back, Zara wandering off in a daze.

Show the King speaking with nobles and Zara approaching him from the side.

The Noble leaves as Zara draws closer.

 

The King turns and greets Zara.

The King: “Princess! How are you enjoying the party?”

 

Zara: “It is lovely, thank you, though I fear that I will be unable to pick between your sons, my lord.”

 

The King: “You find none fetching?”

 

Zara smiles demurely and toys with her dress.

Zara: “None so fetching as you, my lord.”

Zara looks about the court.

Zara leans in to whisper, her eyes glowing faintly.

Zara: “My lord, perhaps you know of a place in the castle where we can find a measure of privacy?”

 

The King looks momentarily taken aback.

The King smiles proudly and adjusts his belt.

The King: “Why, I must say that I am surprised, but not in the least unsettled, to hear this, and I happen to know the perfect place discuss this matter privately. Perhaps we may find you a man more suitable, should none of my sons impress.”

They hook arms again and leaves through a nearby stairwell.

 

Pull back to show Elsea watching them from the concession stand.

Elsea enters the crowd, moving haltingly

 

Cut to show Metis also watching the stairwell as they leave.

Metis smiles and stands.

 

-The Four Thrones-

 

The King leads Zara down a hall. She is tight against him as they walk.

They take a turn.

They stop before a chamber in a darkened hall, the door flanked by two head-height torches still lit.

The King opens the door and ushers her in.

 

Show the castle interior. It is the King’s chambers. A large, canopied bed sets to one side. There is a table and a wardrobe tucked against one wall. Heraldry lines the walls. A candle stands lit on a bed table. A large painting is cast in shadows on one wall. Two swords are hung in the shape of an X on the wall. The King stands at the door.

The King takes a deep breath.

The King closes the door behind him while Zara walks the room, eying the decorations.

 

Zara: “Your chambers are a grand sight, my lord.”

 

The King: “Not so grand a sight as a beautiful young maiden as yourself.”

The King approaches Zara from behind.

Show the King and Zara standing together surveying the painting, which is obscured by shadows.

 

Zara: “This is the queen, is it not?”

 

The King: “It was the queen. She passed away long ago.”

 

Zara: “From illness, yes?”

 

The King: “Yes, but we needn’t think on her at this moment.”

 

Zara turns and looks up into the King’s eyes. Her face is close to his large chest. She is smiling.

Zara bites her bottom lip. The King shakes a bit.

 

The King flexes his hands.

The King reaches out to hug her while Zara flits away.

 

Show Zara looking up now at the ornamental swords on the mantel.

Zara: “And these blades. They are ceremonial, aren’t they?”

 

The King joins her.

The King: “They were gifts from the regent of Elba. On the day of his surrender, he handed them off to my father-in-law personally.”

 

Zara: “Are they sharp?”

 

The King: “As sharp as any blade ought be, I suppose.”

 

Zara: “I mean, are they sharp enough to pierce a man?”

 

The King: “I would assume so, though I’ve never tried.”

 

Zara reaches up and grasps a blade.

Holding the blade, Zara looks back at the King.

Zara: “May I?”

 

The King laughs.

The King: “If you can lift it, then feel free.”

 

Zara pulls the blade down and holds it with both hands.

Zara sways.

Zara: “It is quite heavy, I admit.”

Zara unsheathes the blade and stares at it.

Show the decorative surface, flowers etched into the blade, which shows her reflection, her eyes still outlined with dark purple.

Zara: “How impressive.”

The King approaches her from behind.

The King rests his hand on her shoulders.

Zara turns, burying the blade into the King’s stomach.

Show the King’s eyes wide, his jaw slack.

The King looks down and clutches his wound.

Zara: “And I would say that it is just sharp enough to pierce a man.”

The screen goes black.

Chapter End.

Friday, August 20, 2021

The Unnamed Saga: The Four Thrones Prologue

The Unnamed Story

Four Thrones

 

Mary, off-screen: “From the very start the people of Fiona found great comfort in violence. Their neighbors were hunters or farmers by trade, but Fionans were forever raiders. So much so that they once called their city Blackwell, worshipping war and death and sacrificing to it viciously.”

 

Show a map of the island of Albion, surrounded by a crescent of land that is the mainland, Fiona situated at the eastern side. A dark shadow spreads across the map with Fiona as its origin.

 

Mary, off-screen: “From its infancy, Fiona has been led by the Ferenn family, who won the right through the usual means: violence. Killing their way to the crown, they then built their throne on the corpses of the fallen.”

 

Show villages burning.

Show people being slaughtered, hungry soldiers in wolf pelts stabbing them with stone and twig spears or bludgeoning them with fat wooden cudgels.

Show an entire village bound by rope and chain, faces gaunt, arms thin, bearing wounds and lesions.

 

Mary, off-screen: Fiona spread as disease does: one village at a time. They subjugated their neighboring tribes and, as time went on, their neighboring cities. While others learned trades or practiced medicines, the Ferenns and those that followed them focused exclusively on war. They made weapons from wood and stone and from the people they felled, and just as mankind once stole their fate from the gods, Fiona, too, took the land from those who had cultivated it and reaped the rewards.”

 

Show the ruins of Red Wall, a fractured dome of glass and gold sitting in the center of water soiled by blood.

Show the ruins of Emeraldine, the sky a blazing red, the fountain dry, empty, and cracked.

Show ancient ruins scattered among the trees, grown over with moss and vine, skeletons scattered among the stones.

 

Mary, off-screen: “This was their way. This was their history. They knew only murder and how to inflict it upon others. But people don’t tell stories only about what is, do they? No, we speak always of what changes, and this story doesn’t end here, with the bloody hands of Ferenn’s Fiona, known more for its cemeteries than for its cities. No, things changed, as they often do, and the arbiter of that change was a single boy, a young prince with whom our story starts.

 

Show baby Zelos resting in the arms of a mysterious female, her frame slender, her hair long and curly.

 

Mary, off-screen: “Zelos Ferenn, fourth son of those who would next succeed the Ferenn throne. With his birth a change came to Fiona in the form of a new era, an era of peace, but things do not change easily. Fiona had one last city to take should they want to make Albion their own, and while the passing of the last king brought peace, Zelos’ parents took the throne intent to finish what was started. In this era of peace, however, they used diplomacy as their new weapon...”

 

Show Silvara, its castle seeming to glitter in the light of a full moon.

Cut to the Black Castle cast in the darkness, its hard angles an imposing figure that swallows the frame. Scattered lanterns light the night, showing pointed angles and square frames.

 

Mary, off-screen: “And this is where our story starts, in the winter and at a celebration held in honor of the unification of two people with very different histories. Before the story begins, allow me a piece of advice—and remember this, for you will be tested on it later—Fiona’s history is both long and violent, for that is its nature, and though Fiona is changing, it should be noted that change cannot and shall not come without cost.”

Friday, August 13, 2021

The Knights of Sheba, Ep. 18: "Moxie" B

The Knights of Sheba 118 B…Start

 

            Claude hears movement and battle, hears the shuffle of steel on stone, the clashing of blade and armor.  Then, as he wakes slowly, he feels the hard ground beneath him, tastes it in his mouth.  He is lying face down and breathing shallowly, and everything on him hurts.

            He remains still for a moment, willing his head to stop spinning. For him, everything feels a bit like a dream.  He is back at home with Shirley, waking up to another dull day in the dish room.  He will fix a quick breakfast, fret over his broken bow and consider how he will save the world without a weapon to fight with.

            Then he remembers.  Shirley is gone, and so are his powers.  Geneva had pulled him from a tower, and they fell through a glass dome.  The landing was not graceful, and he remembers then how he didn’t trust her in the first place.  His eyes open, and the world remains blurry for a moment longer.

            He sits up.  The room he is in is a large, circular dome.  A balcony is hangs from the far side, looking out into the salty darkness of the sea.  The walls are wrinkled with black stone and the floor an even, hand-laid brick.  A demon stands in the center, wrapped in black cloth and wearing a polished steel mask.  To the left, Geneva is fighting off a group of other demons.

            When she disposes of the last one, she trades words with the masked demon in the center.  Claude doesn’t hear it clearly; his focus is elsewhere.  Near the observatory he sees Shirley, bound and gagged, bruises across her face, blood dried against her lips and nose.  A demon stands beside her, holding her by her hair and brandishing a rusty dagger.

            Claude struggles to his feet and staggers toward her.  His legs feel numb and hardly seem able to support his weight.  Shirley is watching him, and she rises when he does, struggling against her captor, who takes notice now and lifts his dagger to Shirley’s throat.  She stops, and so does Claude.

            The demon barks something at Claude, who looks to Geneva to translate and finds her occupied.  Another demon has her to the wall, his curved blade wet with her blood. So, Claude looks ahead, into his demon’s cruel, broken smile.  It runs its dagger against Shirley’s neck, leaving a shallow line of rust and blood.

            “Stop it!”

            The demon laughs and removes the blade.  It grumbles something while wagging the weapon at Claude, who can see the blood gathering around the hilt.  The demon then grunts and gestures toward the ground, and Claude remembers his bag and slips it from his shoulders.  It is heavier than he expected, and that is when he remembers what is inside.

            Slowly and carefully, while the demon edges its blade closer to Shirley, Claude slips his hand inside.  He feels around while kneeling to rest the bag on the floor.  Beneath his jacket, beneath the maps, he feels the cold, reassuring weight of the pistol and grips it tight.  With his thumb, he flicks the safety off, and he waits for his opportunity.

            Geneva rolls to a stop nearby.  The masked demon had just thrown her after she kicked him in the shin.  She pushes herself to standing and the demon holding Shirley looks away long enough for Claude to draw his weapon.  He levels it, breathes through the shaking of his hand, and pulls the trigger.

            The pistol is heavy, the distribution of its weight is different than his bow.  Even with both hands firm the recoil spreads through him.  His entire body jerks as the bang bounces off the wall.  There is a moment of silence and then Claude realizes that the demon’s face is gone and has been spread across the back wall.

            What is left of the demon goes limp and falls back.  Its dagger clatters against the ground.  Shirley remains kneeling, blood across her face, wide-eyed, and hyperventilating against her gag.

            Claude returns the safety and runs to Shirley’s side.  He yanks the gag from her mouth and pulls her to him, holding her while she cries and coughs against his shoulder.  He kisses her head and whispers to her, “I’m sorry I’m late.”

            Her sobs die slowly as she collects herself with deep breaths.  She leans back to look him in the eyes.  Her left eye is swollen and purpled.  Her lips are dried, chapped, and bloody.  Claude almost touches her face, her bruises, but thinks better.  She smiles at him.  “I knew you would come.  I never doubted you.”

            He smiles back.  “I’m just glad we made it in time.”

            Shirley looks away, at Geneva staggering around the masked demon’s attacks.  Its blade scrapes against her chest plate just before it kicks her in the shoulder.  Another swipe catches her around the same shoulder and knocks her to the ground.  A string of English curses follows her down.

            “Is that Geneva?”

            Claude glances.  “Yes,” he says, and he moves around her to tug on the ropes binding her hands.  “Come on, let’s stand up and get you out of these.”

            Using the dagger, he cuts her wrists free.  Shirley stands while he works on her ankles, which are bound by thicker knots.  It takes a few more seconds to work the blade through them, but Claude is tenacious.  Then, he stands beside her.

            Shirley hugs him again.  “Thank you, Claude.”

            “We’re not out yet.  We still have an entire nation between us and the exit.”

            “I know, but I feel safe just having you here.”  They look at Geneva, who is now being pummeled by the masked demon’s blade.  “She’s losing.”

            Claude picks the pistol up from the ground, where he left it when he reached Shirley.  He flips the safety off and smiles.  “Not for long,” he says, leveling the weapon and staring down the sights.  His hand is shakier, but his target is bigger this time.

            Across the room, from one of the openings cut into the wall, another demon appears.  It is wearing a similar dark robe, a similar steel mask, though the demon is smaller than the one fighting Geneva.  In its hand it carries a long spear that has been broken in half and bound back together.  The haft is blackened with age; the blade is stained with blood.

            The demon hefts up the spear, watching Geneva’s movements, and then throws.  The effort is clumsy but the result smooth.  It sails through the air, with conscious, willful precision.  Geneva stumbles back, arms lifted to meet an attack from her enemy, and meets the spear instead.  It scrapes across her bracers as it passes and finds home in Claude’ stomach.

            Claude jerks, fires wildly into the walls.  Then, he falls back, the gun landing at his side, the broken spear buried deep in his gut.  He can feel it jabbing against his spine.  The pain is blinding.  It is localized at first but then spreads to his extremities.  Soon, he can feel it in his fingers and his toes.

            He holding the wall for stability.  It hurts to breath, and he isn’t even sure that he can.  Shirley shrieks beside him, holding the spear, yanking it from his body.  After that, it doesn’t hurt.  Everything goes numb, and his vision fades again.

            His last memory is of the second demon disappearing into the hole in the wall.

 

-The Knights of Sheba-

 

            Geneva doesn’t notice that Claude is standing until he falls.  She followed the arc of the spear as it passed her by, and she spares only a glance at Claude after it pierces him.  Then, she returns her attention to Dantalion’s advance.  His blade slides across her left bracer as Shirley’s shouts fill the room.

            She looks away again, finding Shirley holding Claude, working the broken spear from his body.  Before Geneva can react, another blow catches her in the shoulder and knocks her off footing.  She staggers, briefly, curses again, and, in a fit, punches the blade out of the way.  Then, she grabs the demon by the arm as tight as she can and pulls him forward.  His mask meets hers, and hers wins.

            The steel of his mask folds inward and blood runs out of the eyes of it.  Dantalion sways unsteadily, wheezing, and Geneva pulls back and twists, lifting his body from the ground and slamming it onto the floor.  His sword slides away, and he lies there groaning.

            Geneva stands over him for a minute, watches the shallow movement of his chest, considers that good enough, and runs for Claude.  On the way, her armor slides off of her skin and forms into a ring on her right hand.  She comes to a stop beside them, beside Shirley who is holding Claude and holding his wound, beside Claude who is barely breathing.  She leaves footprints in his blood as she approaches.

            Shirley looks up, crying, as she tries her best to apply pressure.  Blood runs through her fingers without end.  “Geneva!  Please, help him!  Save him!”

            “Okay, okay, just take a deep breath, and,” Geneva lifts Shirley’s hand and gazes at the open wound.  It is narrow but deep, and it looks nothing like blood on the snow.  Another wound, Geneva figures, another memory.

            “What now? What do we do?”

            “Well.”  Geneva feels her pockets, pulls the coral signet out and holds it up.  “Um. We could try this.  Ms. O said it could heal”

            “Then put it on him.”

            Geneva looks at Claude’s face, pale and sweaty.  His eyes are closed, his head lulled to the side.  “He’s unconscious,” she says, “So, it may not work right.  I mean, the powers would only work if the armor is on, right?  Gah, I don’t know.”

            “Then give it to me,” Shirley says.  “I can heal him.”

            “No, no, the armor regenerates the healer, so,” Geneva pauses.  “But, if we can find the wand, you might be able to channel it into him. So, it might work?”

            Shirley extends one bloody hand.  “Then, give it to me.”

            “Shirley, if you put this on, you’ll never be able to take it off.  You’ll become a knight.”

            “Fine, I can live with that, but I can’t live without him.”  She shakes her hand at Geneva and blood falls from her fingertips.  Geneva watches the droplet’s descent.  “Give it to me,” Shirley shouts, and she takes it from Geneva’s open palm.

            “Right, sorry.  So, just put it on and, I don’t know, think of something you want to protect.”

            Shirley slides the coral ring down a red finger and closes her eyes, and the ring blossoms around her.  It slides along her form, spreading and engulfing her, coalescing coral plates around a body wrapped in lavender weave.  She stares out at Geneva from inside of her helm and, with surprising calm, asks, “Now what?”

            “Now, the wand,” Geneva says. She examines the armor and looks for something to grab onto, then she points.  “I think it’s there on your left wrist.  Just pull it out and then,” she looks at Claude, “Then, I don’t know, just, stab it into him?”

            “That will heal him?”

            Geneva shrugs.

            Shirley takes a deep breath, and she grabs her wand by the hilt and draws it from her bracer.  It forms into a long, needle-thin blade with a domed guard.  She holds it up, says a prayer, and jabs it into Claude’s open wound.

 

-The Knights of Sheba-

 

            Nina paces a circle in front of the gate tree.  The sun is setting, but the tree still casts its own faint light.  She has her arms crossed and a thin jacket on to keep the chill of an early spring sunset at bay.  The air is wet with a fog settling around them, and two days spent in one of the compound SUVs has left fatigued.

            She stops and chews her right thumbnail while watching the tree.  “It’s taking too long.”

            “It’s not,” Viness says.  He is seated nearby on a fallen log.  It was dislodged when Andromalius attacked and was left there afterward.  The wood is slightly damp, but it is better than standing for hours.  He has his legs crossed and is leaning forward on them looking bored.  “It’s hasn’t even been two full days.”

            “It shouldn’t take two full days.  They’re in trouble.”

            “They’re fine.”

            Nina turns on him and glares.  “Now you’re just being contrary!”

            Viness sits up, grins.  “Am I?”  He nods toward her.  “Go ahead, turn around and look.”

            She turns and finds Shirley and Geneva are standing with Claude hanging between them.  All three look tired, pale, and dirty, but they also look very much alive.  Nina allows a brief smile before rushing to meet them.  Viness follows at a more leisurely pace.

            “Ms. Oaks, you’re alive!”

            “Yeah.”  Geneva adopts a wry grin.  “Glad to see you expected it all along.”

            “I never doubted,” Nina says, and she glares at Viness when he chokes on a laugh.  Then, she regards Geneva again, finding her looking older, wearier but also more mature.  In contrast, Claude seems as if he can barely stand.  He is covered in blood, but so is Shirley, and she is standing just fine.  “And welcome back, Ms. Seville.”

            “Thanks.”  Shirley gives a tired smile and adjusts her hold on Claude.  “And thank you for all of your help.”

            “In truth, I was no help at all.  Ms. Oaks and Mr. Sylvain did all of the work.”

            “True, but she has already thanked us a couple hundred times each, so we don’t mind sharing the love.”  Shirley blushes, and Geneva says, “It was a long, long journey.”

            “I would assume so, but you did well.”

            Geneva shrugs.  “I lived,” she says, and she looks at Claude, who is breathing shallowly.  “Hey, think we can get them home?  Claude needs time to recover, and we could all use an early night.”

            Nina nods and glances at Viness, who steps forward and takes Geneva’s place under Claude’s arm.  Together, he and Shirley walk Claude forward, stopping at the edge of the clearing and at Claude’s request.  They turn him to face Geneva, who holds her hands up.

            “No, not you, too. No,” she says, and they exchange nods before the party turns to make the climb up the hill and to the school parking lot.  Geneva waves and shouts through her cupped hands, “And, hey, get better, okay?”

            Nina and Geneva stand in silence and watch the three disappear over the crest of the hill.  Then, Nina, hands on her hips, regards Geneva with another smile.  “Congratulations, Ms. Oaks.  I believed in you, truly, but I am still proud to see you succeed.”

            Geneva shrugs and stretches.  Then, she winces and holds her side.  Nina frowns.

            “Are you injured?”

            “Nothing a day’s rest and a few bandages can’t handle,” she says.

            “Ms. Oaks.”

            “I’m fine,” Geneva says, and under further scrutiny, she adds an emphatic, “Really.”

            Nina crosses her arms, sighs.  “Onto other matters, then, did Mr. Sylvain take the ring?”

            “No, but Shirley did.”

            Nina pauses, blinks, turns her attention back to the hill.  “She did?”

            “Yeah, I know it wasn’t part of the plan, but we kind of had to improvise.”

            Nina nods after a lingering silence.  “Well, if you think it is best, then I trust your judgment.”  She fixes Geneva under another one of her heavy gazes.  “And she understands the responsibilities expected of her?”

            “I told her all about it,” Geneva says.  “Like I said, it was a long trip, and Claude didn’t have much to say on the way back.”

            “Yes. He did seem unwell.”

            “He’s fine, or he will be.”  The sun has set now and above them the sky is a black void.  Surrounding the forest there are pockets of light, where the city shines into the darkness.  Near the gate tree, the only thing they can see the effulgence of its bark.  “So, you have another knight now.”

            “I do,” Nina says, “But that doesn’t mean you can quit, Ms. Oaks.”

            “Please, I wasn’t even considering that.  At least, I wasn’t considering that right now.  I was going to give her a few days to make sure she would work out.”

            “Ms. Oaks, you made your decision.”

            “I know I did.”  Geneva takes a deep breath.  The fog hugs them now, surrounds them on all sides.  The cold of it soaks into their clothes, into their flesh, and into their bones.  Geneva’s stomach rumbles, and Nina looks at her.  “Sorry, guess I’m a bit hungry.  Haven’t had much to eat in,” Geneva pauses, “Uh.  Well, I just haven’t ate.”

            “I see.  Then, I will take you out to eat as a reward.”

            “What?  Really?”

            Nina nods and walks away, leaving Geneva to trail after with a more conservative gait.

            “Cool, thanks.  And Ms. O?”

            “Yes, Ms. Oaks?”

            “Think we can get ice cream afterwards?”

            “Of course, if you would like.”

            Geneva smiles.  “Oh, I would like,” she says, following Ms. Olivia up the hill and to her SUV.  “I would like very, very much.”

 

-The Knights of Sheba-

 

            Seere sits alone in his darkened chambers, eyes closed, breathing shallow.  He wears a dark robe tightly around his thin frame.  A cold, wet breeze drifts in through his open window.  Outside, he can hear the storm raging, the rain water pelting the shingles. Waters leaks through in places in the roof, but Seere pays it little mind.  He is waiting.

            His chamber door opens, and he looks to find Yima standing in the doorway.  She carries a torch with her, and her travel cloak is dark and wet.  She leaves a puddle in her wake as she crosses the room.  Outside, thunder roars.

            Seere rises in his seat and adopts a smile.  “And how did it go?”

            “Not entirely as planned,” Yima says, undoing her cloak and leaving it in the most recent puddle.  She crosses the room and throws a steel mask onto the table.  “I had to improvise.”

            “But Dantalion is dead?”

            “The girl didn’t do it, though she made a good show of one of his doubles.”

            “Ultimately, his death is all that matters.  Good work.”

            “There are other doubles,” Yima says.  “And they will know that you tricked him.  That the lance was a fake.”

            “The lance wasn’t a fake,” Seere says.  He examines the mask closely and then rests it on the table beside his maps.  “It is simply old, perhaps too old to function as it should.  And it was broken.”

            “But I mean to say, they will never trust you.”

            “And neither did he,” Seere says.  “None of the nobles do, even those that are fake.  That is why they are so easy to manipulate.  They assume that my lies are on the surface and that they can see each one of them.  They believe I can be manipulated in turn.”

            “I suppose.”  Yima stares out at the storm.  “Whatever the case, this is only one victory, Salamand.”

            “Yes.  This war is far from over,” he says, and he leans back in his chair and closes his eyes, a smile stuck on his face.  In his mind, he pictures the map of his world and imagines his own expanding territories.  Soon, he will hold the bulk of the south.  “When this storm passes,” he says, “We will continue our efforts.”

            Yima glances back at him, and then stares out at the storm.  She can see the vague outline of Dantalion’s former holdings, the mountains overlooking the sea. “It’s not like you to rest.”

            “Tonight I must mourn,” he says.  “So much noble blood has been spilled these last few months.  It seems almost as if someone is hunting them.”  He folds his folded hands on his lap.  “Besides, I enjoy the sounds of the storm.”

            Yima snorts.  “Now, that is like you, to enjoy the chaos.”

            “You are free to join me, to stay tonight.”

            Yima takes a deep breath.  “I would prefer not to, but I have nowhere else to go.”  She settles on the table and stares out the window.  Cold air fills the room.  Cold rain slips through the rafters.   She shivers, even beneath her leathers and furs.  “It has been building for some time, hasn’t it? This storm.”

            Seere pats her thigh.  “Oh, dear, the real storm hasn’t even begun.”

 

The Knights of Sheba Season One...End